The production of Donizetti’s Don Pasquale recorded at the 2024 Donizetti Festival in Bergamo is lively colourful and, generally, well done. Amélie Niermayer’s production is essentially contemporary with a heavy emphasis on class difference between the relatively upscale Pasquale clan and the Malatestas who are shown as some sort of Italian equivalent of “Essex man”. Doctor Malatesta has tattoos and wears a heavy gold chain and when we first see Norina she’s in braids, a T shirt, fishnets and also sports tattoos. Her taste doesn’t improve much after the “wedding”. In contrast, Ernesto is more stylish and less of a dweeb than in other productions I’ve seen.
operaramblings 