Beethoven and Shostakovich

Wednesday’s lunchtime concert at Heliconian Hall; part of Toronto Summer Music, featured two pieces of chamber music by Beethoven and Shostakovich. The first was the third movement of Beethoven’s String Quartet No. 15 in A minor, Op.132. It was played by Justin Saulnier, Ashley Tsai, Bill Ko and Claire Park. It’s an unusual movement, especially taken out of context. It intersperses intricate, very slow passages where phrases are passed between the players without too much in the way of obvious clues for where the music is going. It’s profound and quite ethereal. These sections arr interwoven with livelier sections where the “cues” are more obvious. I would think it’s difficult to get just right at the best of times and for what amounts to a “scratch” quartet to handle it as well as they did is admirable. It feels like the sort of music that one needs to play with the same colleagues for twenty years! Incidentally, the same team is playing all four movements of this work tomorrow at noon.

Continue reading

Zanetto

Pietro Mascagni is really remembered for only one opera; the one act Cavalleria Rusticana, which was sufficiently successful for its composer to be considered for a while a probable successor to Puccini as the next “great Italian opera composer”.  That didn’t happen of course and the only other of his works to get even occasional stagings are L’amico Fritz. and Iris though he wrote a total of fifteen.  Now there’s a recording of his one act opera Zanetto which was made at a live, semi-staged performance in Berlin in June 2022. Continue reading