March 2025

So what looks fun in March?

  • March 1st (Dydd Gŵyl Dewi Sant) Apocryphonia have a “classical meets punk” concert called Brews, Beauties and Brawlers at St. Olave’s Anglican Church at 7.30pm.  PWYC.
  • March 5th Canadian Art Song Project have their annual gig at noon in the RBA.
  • Crow’s Theatre have a new adaptation of Measure for Measure in the Studio Theatre.  Previews on the 6th and 7th, opening on the 8th and running to March 16th.

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The Bee’s Knees

The Bee’s Knees is a new play with music, written and directed by Judy Reynolds, that opened at The Theatre Centre on Friday night.  It’s set during and after WW1 and the main theme is women getting involved in politics in Canada and the often bizarre (by contemporary standards) opposition to that.  It’s pure coincidence that it premiered a few days after the biggest setback for women’s rights in the western world in decades.

Rachel Nkoto Belinga, Françoise Balthazar, Shannon Pitre Madeline Elliott Kennedy by Marlowe Andreyko

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November gigs

november24Here’s what I’m looking forward to in a busy November.

  • The reprise of Tapestry’s Rocking Horse Winner at Crow’s Theatre.  That’s November 1st to 12th.
  • The Glenn Gould School’s fall opera offering.  It’s a presentation of five of Tapestry’s short operas from the 2000s.  November 3rd and 4th in Mazzoleni Hall.
  • Voicebox are doing Verdi’s Un giorno di regno at the St. Lawrence Centre on the 5th.

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Additional September and October gigs

leavesHere are a few shows that didn’t make it into earlier listing posts:

  • Opera 101 at the Redwood Theatre at 4pm on September 23rd and October 7th is a free recital programme organised by Alexander Hajek.
  • There are a couple of highly experimental audience participation shows at the Theatre Centre.  In asses.masses the audience creates a video game based on the story of a herd of unemployed asses.  In work.txt which runs September 27th to 29th the audience “designs a welcoming space for collectively processing “working” in capitalist metropolitan cities”.  I’m going to the latter.  I don’t think I’ve been in/at a show of this kind since I was an undergrad.

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Back end of May

may2More May listings…

  • Sarah Porter’s L-E-A-K  opens tonight at the Theatre Centre and runs until Sunday.  It’s described as “an absurdist and poetic lesbian love letter to the ocean”.  I’m intrigued.
  • Nightwood Theatre and Tarragon Theatre are jointly presenting Fatima Adar’s She’s Not Special.  It runs at the Tarragon Theatre from May 24th to 28thHere’s the blurb… “Leave expectations at the door. We are not putting on a play, we are throwing a party. This is a concert, comedy show, and confessional all in one. Come celebrate your mediocrity with us!”
  • Soulpepper are opening a run of Athol Fugard’s 1972 classic Sizwe Banzi is Dead at the Young Centre on the 25th.  That runs until June 18th.
  • The weekend of the 26th to 28th is the Toronto Bach Festival.
  • Finally, on the 26th and 27th Confluence Concerts have a concert at Heliconian Hall called All the Diamonds.  It’s an eclectic mix of music about the night sky performed by the usual suspects.