MetHD 2024/25

groundedThe Met HD in cinemas line up has been announced for 2024/25 so here’s my take on it.  The first thing to notice is that there are only eight shows.  There have been ten per season since 2012/13 and twelve before that.  This is likely a reflection of the problems with audience numbers that all North American opera companies have been having.  In the same time period the COC has cut back from 65-70 main stage performances per year to 42 and the Met’s “in house” audience problem has been well publicised.  So what does that leave us with?

Continue reading

Fruitful and Sacred Ground

Yesterday’s recital in the RBA was given by soprano Simone Osborne and the very busy pianist Stephen Hargreaves.  The program began with three Mozart songs that I was not familiar with; Oiseaux, si tous les ans, Dans un bois solitaire and An Chloe.  They were unfamiliar to me but Mozartian in a pleasing, intimate way; very much songs rather than concert arias.  They got a clean, rather dramatic reading with real feeling from both parties.  Next came the Ariettes oubliées of Debussy.  Here we have texts by Verlaine of a mostly languorous ecstasy variety with a complex, very impressionistic piano part.  Indeed they really do sound like pieces composed by someone who prefers writing for the piano and Stephen brought out their somewhat ethereal qualities nicely.  Still the soprano gets to spin some very beautiful languorously ecstatic lines and there’s even one piece; Chevaux de bois, where the mood changes and the singer can have some fun.  Which Simone did.

simone_rba1

Continue reading