Dido and Aeneas in Trinity College Chapel

Last night the UoT’s early Music program presented Purcell’s Dido and Aeneas in the chapel at Trinity College.  It was a bit of a strange experience.  The work was semi-staged with dancers doubling Dido and Aeneas and a few extra as “chorus dancers”.  With a twelve person chorus and all the soloists plus the small band this made for a lot of people in the space.  Trinity College Chapel is long, narrow and high with traditional pew seating and a minimally raised platform for the altar.  All of which meant that only the first few rows and , maybe, people on the aisle had much of a view of anything.

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To Die, to Sleep

mtaylorBerlin based Canadian countertenor Michael Taylor’s album To Die, to Sleep is a collection of baroque arias recorded with the Quebec baroque chamber ensemble The Dansant.  The 15 arias are drawn from assorted Handel operas, mostly Orlando, from Vivaldi’s Orlando Furioso and Graun’s Montezuma (the Frederick the Great opera).  There are also some instrumental tracks with short pieces by de Murcia, Handel and Gabrielli.  As you might guess from the title the material is more contemplative than bravura which might disappoint the fireworks fans but makes for very pleasant, relaxed listening.  Mr. Taylor has a distinctly full sound for a countertenor and is clearly very much at home in this repertoire.  The accompaniment, on period instruments is interesting and tasteful. It’s worth a listen.  It’s available on iTunes (C$9.99) or from countertaylor.com.

Innovation

Needing something suitable to celebrate Britten’s 100th birthday I decided to go and see the National Ballet’s new show Innovation which premiered last night and included a piece set to the Four Sea Interludes from Peter Grimes.  A Pergolesi Stabat Mater with Emma Kirkby and Daniel Taylor was a considerable additional attraction.  I’m not a dance expert so take any comments on that subject that follow as the impressions of a complete non-expert.

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Maria’s Carmen

In 1989 entrepreneur Harvey Goldsmith followed up his Aida of the previous year with a spectacular production of Bizet’s Carmen in the amphitheatre at Earl’s Court.  This is a sports stadium like venue that seats 19,000 and a cast of 400 or so singers, dancers and supers was employed.  The production was revived in 1999 when It was broadcast by Tyne-Tees Television and has been available on DVD ever since.  Continue reading