Singer songwriter sorta

st1Thursday night’s Conflunce Concerts show at Heliconian Hall was titled Songs from Toronto and consisted of songs by Toronto singer-songwriters arranged for a larger ensemble by Andrew Downing.  And by larger ensemble I mean various combinations of string trio, double bass, guitars of sundry varieties, vibraphone and piano.  To further spice things up some of the songs were sung by Teiya Kasahara who is a rather different Fach than the average singer in this genre.

I have very limited exposure to Toronto’s singer-songer writer community (I didn’t even know it was a “thing”) and so it’s hard to assess where last night departed from some sort of norm or not or to assess whether arranging for a larger ensemble enhanced the experience or detracted from the intimate nature of someone singing their own stuff in their own way.  FWIW I do have a fair bit of experience with singer-song writer music from the British isles and Atlantic Canada and I know that can work pretty well with a band.  Think Liza Carthy or Billy Bragg for example.

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Schubert to Mercury to Beethoven

The main stage concert for TSM at Koerner Hall last night was given by the Art of Time Ensemble with vocalists John Southworth and Sarah Slean.  It’s my first encounter with Art of Time have been around for about ten years and specialise in cross genre collaborations inspired by their founder, pianist Andrew Burashko.

TSM July 25-Dale Butterill

Last night was classical meets singer songwriter.  There was an introductory piece by Christos Hatzis, some Schubert, plenty of Gershwin and lashings of Leonard Cohen plus much more (there was no set list and I didn’t take notes).  It’s rather out of my usual zone but I enjoyed.  Southworth is a really quirky vocalist, exemplified by a rather weird version of The Old Folks at Home; which needed to be weird!  Slean is quite a performer; good voice, very funny, great mover.  The ensemble was terrific across the board.  I’m sold.  There are lots of reasons to stretch the boundaries of classical performance.  Larry Beckwith does it very well with his Confluence series.  Here’s another example.

TSM July 25-Photo Dale Butterill

The late show, also at Koerner, featured Jonathan Crow, Katya Poplyansky, Minkyoung Lee and Allison Rich in a performance of Beethoven’s String Quartet No. 12 in B-flat Major Op. 130 but with a twist.  They played the full original version in which the Grosse Fuge Op. 133 forms the finale.  So, basically, an hour long string quartet!  It was very well done though I confess late Beethoven at 10.30 pm was straining the grey matter.

Photo credit: Dale Butteril