Tennyson and Housman settings

Somervell - Maud:A Shropshire Lad_smI was browsing the latest Naxos marketing material and was really intrigued by what claimed to be a disk of Tennyson and Housman settings by Sir Arthur Sullivan.  It sounded too good to be true and it was.  The music was by Sir Arthur Somervell; whose Housman settings I had previously encountered.

The longest work on the disk is called Maud and consists of settings of thirteen of the poems from Tennyson’s monodrama that was extremely popular in the late 19th century.  I don’t get Tennyson.  I get that he was popular (but then so were Dickens and cholera) but it’s an aesthetic; morbid and sentimental more than dark, that just doesn’t do it for me.  Somervell’s settings are not inconsistent with the mood of the text but they are, frankly, dull and predictable.  There’s an attempt to elevate the music above the level of contemporary parlour ballads but Somervell doesn’t seem to have either the melodic or rhythmic invention to really pull it off.

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From Severn to Somme

maltmanLast night at Walter Hall, as part of the Toronto Summer Music Festival,  Chris Maltman and Graham Johnson gave a recital that explored the experience of war through song.  It was a long and varied programme with twenty two songs in four languages commemorating most of the great empires that went to war in 1914 though many of the songs were from earlier periods.  At the core of the programme were early 20th century settings of English pastoral poems.  Butterworth’s settings of Houseman were there but, sneakily, we got Somervell’s much less well known setting of Think no more lad.  In a similar vein there were Gurney and Finzi.  The Americas were represented in a characteristically rambunctious Ives setting of a horribly jingoistic McCrae poem; He is there. McCrae may be the only well known war poet who managed to survive until 1918 without developing any sense of irony.  Beyond the English speaking world there were songs by Mussorgsky, Mahler, Fauré, Schumann, Wolf and Poulenc.

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