A Tancredi for our times?

Rossini’s early opera seria Tancredi is set in Syracuse in the early 11th century and turns on two rival families coming together in the face a threat from both Byzantines and Saracens.  The hero is the knight Tancredi, secretly in love with the daughter of one of rival families.  Jan Philipp Gloger’s production filmed at Bregenz in 2024 updates it to the present with the families being rival drug gangs and the “threat” the police.  There’s a further twist.  Tancredi is a mezzo role and always sung by a woman.  Here Tancredi is played as a woman pretending to be a man; at least to everyone except her lover Amenaide.

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Wot, no cakes?

I understand that the mission of outfits like the Teatro Donizetti is to “rescue” forgotten operas but, frankly, some of them ought to remain forgotten.  I would put Donizetti’s Alfredo il Grande in that category.  It premiered in Naples on 2nd July 1823 and closed after one disastrous performance not to be seen again until a run in Bergamo in November 2023 which was recorded for video.

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Routine Don Pasquale

Once in a while one comes across an opera DVD that’s so “ordinary” that it’s extremely difficult to write about it.  The 2002 Cagliari recording of Donizetti’s Don Pasquale is one such.  Stefano Vizioli’s production is set in 1750s Rome and plays the piece about as straight as a madcap comedy can be played.  The singing is rather good and, if the acting is a bit Brian Rix farce that’s hardly inappropriate.  At the heart of the piece is Alessandro Corbelli who must be close to being the ideal Pasquale.  He gets good support from Eva Mei as Norina and Antonino Siragusa as Ernesto.  Roberto de Candia is also quite good as Malatesta but he’s not Mariusz Kwiecien.  The chorus is a lot livelier than the average Italian chorus and the orchestra, from Bologna, might be a bit thin on string tone but isn’t bad at all and Gérard Korsten’s conducting is perfectly OK.

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