Young American tenor Paul Appleby has been delighting audiences in the current COC production of Così fan tutte where he sings Ferrando. Today he got to show us what he could do as a lieder singer in a lunchtime concert in the Richard Bradshaw Amphitheatre. He started off with a stylish, if occasionally tentative, set of five Schubert songs. It was a promising start with some very stylish and controlled singing and unhistrionic acting with the voice. Hitting his stride, he gave us seven songs from Schumann’s Myrten cycle. These covered a wide range of moods from tender passion to drunken ecstasy. Again great skill and artistry and lovely accompaniment from Anne Larlee at the piano.
Tag Archives: schumann
Love and Life
Anne Larlee and Simone Osborne brought their Maureen Forrester recital tour to Toronto today, courtesy of Jeunesses Musicales Canada and the COC’s free lunchtime concert series. The programme featured works by Bellini, Schumann, Hahn and Richard Strauss plus two specially commissioned pieces from Brian Current.
I particularly enjoyed the Schumann and Strauss pieces. Simone’s interpretation of the Frauenliebe und -Leben showed a very wide range of emotion and tone colour and exceptionally good German diction. The three Strauss songs also displayed considerable power. This was very classy lieder singing.
Fifty shades of Braun
This afternoon’s Off Centre concert at the Glenn Gould Studio was structured around three pairs of composer friends; Mozart/Haydn, Schumann/Brahms and Wolf/Mahler. It was a mix of lieder, opera excerpts and piano pieces and was pleasantly varied.
Things kicked off with Russell Braun singing a number of songs from Schumann’s Liederkreis accompanied by his partner, Carolyn Maule on the piano. This was maybe the third time that I’ve heard Russell in recital and he really is impressive. He has a really good command of a wide range of dynamics and tone colour and lovely floaty high notes. If I was being hyper critical I’d say I think there’s a point in the middle voice though that can’t quite sustain the volume he sometimes tries to get. He has quite an operatic approach to lieder (compared to, say, DFD) but that’s quite fun in its own way.
Upcoming events
There a couple or three things coming up in Toronto that might be of interest to readers.
On Sunday 27th January at 2pm Russell Braun and Rihab Chaieb are giving a recital of German songs in the Glenn Gould Studio. Tickets are $60 but only $25 for under 25s.
The following evening Peter Sellars is giving a talk on his production of Tristan und Isolde at the Toronto Reference Library. This one is free but ticketed. Tickets are available from the TPL website.
And in free RBA noon concert news, on 24th January Sasha Djihanian and Cameron McPhail with pianists Timothy Cheung and Jenna Douglas are offering up Debussy’s Ariettes oubliées and Schumann’s Dichterliebe.
Grimmfest
It’s pretty Grimm in Toronto these days. Friday will see the 500th performance of Dean Burry’s 1999 opera for children The Brothers Grimm. Now, 500 performances for any recent opera is pretty remarkable. 500 performances for a Canadian work is extraordinary. Anyway, in the lead up to Friday there are a number of events scheduled including a concert yesterday lunchtime in the Richard Bradshaw Amphitheatre with a Grimm theme.
Eric Domville introduced the music. He gave us a disquisition on the Grimm brothers, philology, the Great German Dictionary, folk tales and the oral tradition, his childhood, Romanticism as a reaction to Enlightenment, the plot of several folk tales in their English, French and German incarnations and a potted summary of the cultural, political and religious state of Germany in the mid 19th century. It was perhaps just a teeny bit more than one resally needed to explain three arias from Hansel and Gretel and one from Königskinder. Continue reading
Russell Braun and friends
The free concert series that the COC puts on in the Richard Bradshaw Amphitheatre at the Four Seasons Centre often has interesting programs and frequently the performances are very good indeed. It’s also pretty good value for money. It’s not often though that the line up is as starry as today’s gig. Baritone Russell Braun was joined by his L’Amour du Loin costars Erin Wall (soprano) and Krisztina Szabó (mezzo) plus Ensemble Studio tenor Chris Enns. On the piano were COC Music Director Johannes Debus and Carolyn Maule.
They kicked off with Brahms’ Liebeslieder-Walzer. They were performed with verve and skill and quite a bit of humour but I’m afraid it was still Brahms. In my book Brahms should be loved from afar. I much preferred the selections from Schumann’s Spanische Liebeslieder which followed. I particularly liked Russell’s rendering of Flutenreicher Ebro which showed great feeling for the words and real skill in articulating different moods through voice colour. Krisztina also gave us a ravishing version of Hoch, hoch sind die Berger.
The revelation for me though was John Greer’s settings of Canadian folk songs; All Around the Circle. Looking at the words I thought this was going to be really hokey but in fact both the vocal arrangements and piano accompaniments are really pretty sophisticated and right up there with better known English and Australian folk song settings for voice and piano. The quartet gave them all they had. Lots of attack, good ensemble work and tons of humour. (One needs humour with a line like “She’ll be waiting for me there with the hambone of a bear”!). Terrific piano playing here too from Johannes and Carolyn. It was fun! (And great value for money)