Stéphane Braunschweig’s production of Janáček’s Jenůfa, recorded at Madrid’s Teatro Real, is austere and effective. The sets are almost empty. Mill sails appear from a slot in the floor to suggest the family mill, there’s a cot for the baby in Act 2 and some church benches in Act 3. That’s it. The rest of the “setting” is carried by a very effective lighting plot. I don’t think there are any big ideas here but it’s an effective, straightforward way of telling the story. Braunschweig also makes effective use of the chorus, especially in Act 1.