Micah Schroeder in recital at the Tranzac

Baritone Micah Schroeder and pianist Stéphane Mayer gave a recital on Saturday night at the Tranzac called Everlastingness.  It was a carefully curated mix of song recital classics, works by contemporary Canadian composers and some Armenian influences.  The balance was such that a two hour plus recital seemed to fly by.  I rather like the Tranzac for this kind of event.  The acoustics are fine and the comparative intimacy of it gives a vibe somewhere between a concert hall and, say, Opera Pub.  It’s certainly difficult to imagine anyone (furries aside) wearing tails there.

And so to the music… Matters kicked off with Danika Lorèn’s setting of Edna St.Vincent Millais’ Recuerdo no. 7 – A Few Figs From The Thistle.  It’s a gentle setting of an appealing text and was a good atmosphere setter.  Next was a foray into Ich bin ein ernsthafter deutscher Bariton territory with Schumann’s Lieder und Gesänge aus Wilhelm Meister.  This was very nicely done with excellent diction, measured singing; balancing the dramatic and the sensitive aptly, and was beautifully accompanied.  Proper Lieder singing in fact. Continue reading

October 2024

oct24Opera’s back with the start of a new COC season and more.  Here’s a look at what I think looks interesting in October.

First up there are two theatre festivals with multiple shows.  Aluna Theatre’s RUTAS International Performing Arts Festival runs from September 26th to October 9th (various venues).  There’s a distinct Latinx twist to this one.  Then from the 16th to the 27th at Buddies in Bad Times there’s the Next Stage Theatre Festival run by the same folks as the Fringe.  Both are pretty varied with something for pretty much everyone.

Continue reading

AtG’s La Bohème six years on

Six years ago a bunch of unknowns calling themselves “Against the Grain Theatre” put on Joel Ivany’s English language, updated version of Puccini’s La Bohème in the back room of the Tranzac club.  I was there.  I reviewed it on my LiveJournal because it would be another six months before I started this blog.  There’s been a lot of water under the bridge since then.  The Tranzac has been tarted up quite a bit since La Bohème 1.0, though even by 2011 it had become a lot smarter than when the Nomads hung out there and the wall featured a photo of Sorbie with the McCormick cup.  Lets face it anywhere would be more sedate without Neil (RIP mate).  Oh yeah, and the original AtG crowd have become quite respectable, even famous perhaps.  The singers are all Equity members and get paid properly.  There are sets and props that weren’t borrowed from Topher’s mum.  Topher and Joel have done the conducting and directing thing for major companies in real opera houses.  And I’ve been writing this stuff most every day for six years.

act1

Continue reading

UoT’s Imeneo

Imeneo is one of Handel’s less well known operas; perhaps deservedly so.  The plot and the libretto are weak and the music pretty variable.  Charles Jennens, the librettist for Messiah, descibed it as “the worst of all Handel’s compositions”.  It does have the merit of being short.  Most recent recordings come in around two hours and this UoT Opera production, rearranged and cut by Tim Albery, comes in at 100 minutes spread over two acts.

ship

Continue reading