Tenor Colin Ainsworth and pianist Stephen Ralls today presented three song cycles written for them by Derek Holman. The first, The Death of Orpheus (2004) sets two translations of Ovid by Arthur Golding; on the subject of Orpheus in the underworld sandwiching Shakespeare’s Sonnet XVIII. The parts form an interesting contrast. In the Ovid, Golding chose to write in rhyming iambic heptameters but Holman’s setting completely ignores that, breaking and reshaping the lines very freely. The piano line too is spare and more a commentary on the vocal line than a support. In contrast the Shakespeare is set much more “faithfully”; piano and vocal line both reflecting more closely the metre of the verse. Holman also rarely repeats a phrase of the text) it happens maybe five times in the eleven songs in today’s programme) which puts quite a burden on the listener given the allusive complexity of Ovid/Golding’s verse. Continue reading →