Ecstatic Voices

ecstaticvoicesjpegThis year’s West End Micro Music Festival opened on Friday night at Redeemer Lutheran with a programme titled Ecstatic Voices.  It was a mix of works for eight part a cappella vocal ensemble and a couple of solo tuned percussion pieces.

There’s something a bit special about unaccompanied polyphony.that has fascinated composers ever since the (probably apocryphal) debate on the subject at the Council of Trent.  I think a good chunk of it is the sheer versatility of the human voice which can do so much more than sing a tone.  It can laugh, whistle, speak, grunt, chatter and all manner of other things and if the composers of the Renaissance were happy to stick to tonal singing more recent composers certainly haven’t been.  Both were in evidence n Friday.

The ensemble was made up of eight singers  (Sydney Baedke, Reilly Nelson, Danika Lorén, Whitney O’Hearn, Marcel d’Entremont, Elias Theocharidis, Bruno Roy and Graham Robinson with Simon Rivard conducting) all well capable of singing major solo roles.  This was no semi-pro SATB group!

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Cock up your beaver

There was something about Collectìf’s cabaret show, Do Over, last night that reminded me of a folk club in the 70s or 80s (as in when I was their age!).  It was in a pub.  The room was full of young(ish) people.  It was loud.  It was irreverent.  And people were having fun.  Shocking!  An opera related event that was irreverent and fun.  No solemn “palaces of culture” here.  No AMOP style “in my day” grumbling.  Just three rather good singers, a pianist and a thoroughly eclectic, not to say at times filthy (there were more double entendres than an eight hour episode of The Two Ronnies), selection of music drawn from four and a half centuries.  The AMOP crowd should probably prohibit their daughters and servants from seeing this show.

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First we take Manhattan

Irving-BerlinYesterday the Talisker Players ventured into new territory for them with a program of Irving Berlin songs entitled Puttin’ on the Ritz.  I’m no expert on Broadway in general or Tin Pan Alley in particular but, I suppose like most people, I’ve been exposed to a lot of this music through TV and films.  The Talisker presentation was interesting and unusual in that they employed a string quartet and two classically trained singers rather than a dance band or a pianist and voices from a different tradition.

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