It’s that time of year

atg_dandd_webposter_revisedIt’s that time of year when the musical calendar kind of grinds almost to a halt in Toronto.  Looking ahead to June there’s not a whole lot on offer, at least in the opera/choral/artsong departments.  The big event is Against the Grain’s Death and Desire show, of which I saw the first half previewed in the RBA.  It’s on at the Neubacher Shor Gallery (Queen and Dufferin) on June 2nd to 5th at 8pm.  Tickets are going fast so if you plan to go, head here soon. There’s a Mahler 2nd (Resurrection) Symphony at the TSO on June 10th (8pm) and 12th(7.30pm).  Erin Wall, Susan Platts and the Toronto Mendelssohn Choir will join the orchestra with Peter Oudjian conducting. Then it’s Luminato.  The big deal for opera fans here is R. Murray Schafer’s Apocalypsis.  David Fallis will direct what sounds like a Cecil B. DeMille scale extravaganza.  It’s at the Sony Centre on June 26th and 27th (8pm) and the 28th (2pm).  At your own risk…

Adieu to Charlotte and Clarence

Each year, round about now, the COC stages a lunchtime concert or two featuring departing members of the Ensemble Studio singing music that has special meaning for them.  Yesterday we heard Clarence Frazer and Charlotte Burrage with Jennifer Szeto at the piano.

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From Severn to Somme

maltmanLast night at Walter Hall, as part of the Toronto Summer Music Festival,  Chris Maltman and Graham Johnson gave a recital that explored the experience of war through song.  It was a long and varied programme with twenty two songs in four languages commemorating most of the great empires that went to war in 1914 though many of the songs were from earlier periods.  At the core of the programme were early 20th century settings of English pastoral poems.  Butterworth’s settings of Houseman were there but, sneakily, we got Somervell’s much less well known setting of Think no more lad.  In a similar vein there were Gurney and Finzi.  The Americas were represented in a characteristically rambunctious Ives setting of a horribly jingoistic McCrae poem; He is there. McCrae may be the only well known war poet who managed to survive until 1918 without developing any sense of irony.  Beyond the English speaking world there were songs by Mussorgsky, Mahler, Fauré, Schumann, Wolf and Poulenc.

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Fifty shades of Braun

russellThis afternoon’s Off Centre concert at the Glenn Gould Studio was structured around three pairs of composer friends; Mozart/Haydn, Schumann/Brahms and Wolf/Mahler.  It was a mix of lieder, opera excerpts and piano pieces and was pleasantly varied.

Things kicked off with Russell Braun singing a number of songs from Schumann’s Liederkreis accompanied by his partner, Carolyn Maule on the piano.  This was maybe the third time that I’ve heard Russell in recital and he really is impressive.  He has a really good command of a wide range of dynamics and tone colour and lovely floaty high notes.  If I was being hyper critical I’d say I think there’s a point in the middle voice though that can’t quite sustain the volume he sometimes tries to get.  He has quite an operatic approach to lieder (compared to, say, DFD) but that’s quite fun in its own way.

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