Ascent

lipmanascentHaving been impressed by violist Matthew Lipman at the two OPUS IV concerts earlier this week I decided to check out his CD, Ascent, which consists of a number of works for viola and piano with pianist Henry Kramer (currently faculty at Université de Montréal).

There are six pieces on the disk.  The first is York Bowen’s Phantasy for Viola and Piano Op. 54 which dates from 1918.  It’s inventive and colourful and demands great virtuosity, which it gets.  I particularly like the final section which uses dance rhythms to good effect.

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OPUS IV part2

The second concert in the OPUS IV series, which took place on Tuesday evening at the Arts and Letters Club, had a similar structure to Sunday evening.  The concert was anchored around a major, well known, work.  In this case Beethoven’s Kreutzer Sonata with the rest of the programme featuring less familiar material.  It was given by the same five instrumentalists as Sunday; Stella Chen and Isabella Perron – violins, Matthew Lipman – viola, Brannon Cho – cello and Kevin Ahfat – piano.

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OPUS IV part 1

stella_chen

Stella Chen

Last night at Trinity St.Paul’s we got the first of two concerts in the fourth iteration of the OPUS Chamber Music series.  Music director and pianist Kevin Ahfat had arranged an impressive group of young string players to join him in a varied and enjoyable programme.

From the United States we had violinist Stella Chen; a Queen Elisabeth Prize winner and Gramophone Young Artist of the Year, and up and coming violist Matthew Lipman.  There was Berlin based cellist Brannon Cho.  The local talent consisted of and violinist Isabella Perron, as well, of course as Kevin himself.

First up were Ahfat and Lipman with Rebecca Clarke’s Sonata for Viola and Piano of 1919.  It’s quite a substantial piece with more than a hint of Debussy, especially in the piano part.  The first movement is marked “Impetuoso” but it’s nothing like as frenetic as the second movement; “Vivace”, which is really densely scored.  There’s a lovely, lyrical and expressive concluding “Adagio” which culminates in a very involved final section in high romantic style.  Some gorgeous playing and great communication between the musicians here. Continue reading