I Capuletti e I Montecchi

The story line for Bellini’s opera I Capuletti e I Montecchi will be familiar enough though it’s very condensed and based on the earlier source by Bandello rather than Shakespeare’s more elaborate reworking.  So, lots of feuding but no back story, no balcony scene, no friar’s cell.  But (spoiler alert) the ending is the same.  Vincent Broussard’s production, originally from Munich but filmed in San Francisco in 2012, sets the work around the time of its composition and seems at times to reference that it was composed for the Venice Carnivale.  It also veers around between being quite literal and trying to make the story something going on in Romeo’s head.  The production is quite influenced visually by the fact that the costumes were designed by Christian Lacroix and it’s unclear whether he’s trying to support the production concept or promote his brand.

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Honest Injun?

I confess to having mixed, nay conflicted, feelings about the 2003 Palais Garnier recording of Rameau’s Les Indes Galantes.  On the one hand there is some really good music, idiomatically played and sung by musicians utterly at home in this repertoire, there’s some brilliant dance; both the choreography and the execution, and there is spectacle on a grand scale.  On the other hand there’s a nagging sense of cultural appropriation and, perhaps worse, a feeling that the whole thing may just be a giant piss take.  Actually in some ways it’s all of the above and if one can get into the spirit of the thing it sort of works.

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