This Feels Like the End

Bonnie Duff’s This Feels Like the End premiered at Buddies in Bad Times on Thursday evening, directed by Michelle Blight, as part of Next Stage.  I caught the second performance on Saturday afternoon.  The premise is that the sun has failed to rise so the entire world is deprived of natural light and nobody can explain it.  It’s even more inexplicable in that there isn’t a drastic drop in temperature, plants still grow and the moon is visible but let’s not get hung up on the physics.  The play is about the different ways humans react to such a phenomenon.

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Heroes of the Fourth Turning

Will Arbery’s Heroes of the Fourth Turning opened last night in a production by the Howland Company in the Studio Theatre at Crow’s.  This is a play about a group of people who have assembled in the wilds of Wyoming for the inauguration of a new President at a small, extremely conservative, Catholic university.  All of them, to greater or lesser extent, buy into the mix of ideas; an essentially pre-Vatican II Catholicism, traditional American Conservatism rooted in an idea of “Western Civilization:” and a kind of neo-Spartan survivalism, taught at the university in question.  The play is a long (over two hours without a break) conversation between these characters about ideas and values.  I strongly suspect these ideas and values are not shared by the author or the director (Philip Akin). but they are treated in the play on their own terms with no attempt at satire or parody.  I don’t share those values either but I shall try in this review to keep my own feelings out of it as well.

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Prodigal

What do we mean by “forgiveness” or “redemption”?  Prodigal, written and directed by Paolo Santalucia currently being presented by the Howland Company at Crow’s Theatre asks us to consider just that.  It’s a curiously structured play.  On one level it’s a black comedy about a seriously dysfunctional elite family but there’s an intro to each act in which a preacher exegises on the Parable of the Prodigal Son and the Parable of the Lost Sheep.  We are invited to compare the characters we are about to see with the dramatic personae of Christ’s teaching.  But are they really comparable?”

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Three Sisters

A version of Chekhov’s Three Sisters opened last night in a collaboration between Hart House Theatre and the Howland Company.  It’s described as “Adapted and directed by Paolo Santalucia after Chekhov” .  What this means is that is given a contemporary Canadian setting with changed character names and so forth.  The structural purpose of each scene, pretty much each speech, remains the same but the words are not a literal translation.  And, Alex Vershinin is a woman lieutenant colonel in the RCAF which gives a very different spin to her “affair” with Masha.

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