Ciboulette

Reynaldo Hahn’s 1923 piece Ciboulette is considered one of the last great French operettas.  It’s certainly tuneful and highly sophisticated.  I lost track of the number of times the word “raffiné” is used during the interviews with production team and cast.  It’s certainly a highly involved piece of meta theatre running the gamut of operatic conventions and adding a few touches of its own.  It’s just as well really as all of this is wrapped around a conventionally paper thin plot.

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Searing Carmélites from COC

Poulenc’s Dialogues des Carmélites is a strange and compelling piece.  Dramatically it is very “slow burn” with a narrative arc that builds over almost two hours to a final scene of searing intensity.  Without that final scene the piece would have no reason but it justifies all and only one “fit for treasons, stratagems, and spoils” could possibly leave the theatre unmoved.  It’s not just moving, done well it’s emotionally devastating.  And that’s the state I left the Four Seasons Centre in last night after a near perfect performance of Robert Carsen’s extraordinary production.

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Photo Credit: Michael Cooper

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