Carl Nielsen’s operas don’t get performed much outside his native Denmark so it’s no surprise that the only video recording of his 1902 opera Saul og David was recorded in Copenhagen. The libretto is a fairly straightforward telling of the familiar story of Saul, David, Goliath, Samuel and so on. The music is very much of its time. It’s bold and lyrical; perhaps reminiscent of Strauss in a conventional mood or, perhaps, Elgar. There are some really good choruses and David and Michal get a gorgeous duet in Act 3.
This 2006 Copenhagen production of Wagner’s Ring has been written about a lot. It’s been dubbed “the feminist Ring” and a lot has been made of the frequent camera cuts and odd angles. Actually what struck me most about it was the comparative goriness. The video direction (by Uffe Borgwandt) didn’t strike me as particularly unusual. I’d say it was better edited than a typical Halvorson Met broadcast but not so terribly different in spirit. The main difference is that this is very much presented as a film rather than a documentary record of a live performance. Oddly it begins very much in live performance mode with footage of the Queen of Denmark taking her seat and of the conductor (Michael Schønwandt) complete with miniatures of his decorations on his tail coat going to the pit. From then on though we get anything but what the audience in the house saw.