Exemplary Tales of Hoffmann from the Royal Opera

Offenbach’s The Tales of Hoffmann is a rather difficult opera to stage.  There’s no definitive performing edition and there’s a lot of (too much?) material to work with so decisions have to be made about what to cut.  There’s also the fundamental problem of how to frame the stories of Hoffman’s three great loves as he’s supposed to be recounting them in a bar, while drunk, some years after the events described.  Plus, there is some sense that all three are really just projections of his current infatuation; the opera singer Stella.

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3D Turandot

I’ve been following developments in use of technology in the theatre for a few years now and, to be honest, I’ve seen lots of theory and not a lot of practice though Tapestry’s RUR: A Torrent of Light did use motion capture.  The Turandot recorded at the Liceu in Barcelona in 2019 takes it to a whole new level though.

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Fuoco Sacro

Fuoco Sacro is a film by Jan Schmidt-Garre.  It’s subtitled “A Search for the Sacred Fire of Song” and was inspired by Schmidt-Garre’s passion for Italian singing of a slightly earlier era rekindled when he heard Ermonela Jaho on his car radio.  This led him to explore how certain singers create something more than “just singing”.  In the film he does this by following the lives of three singers; all women (he clearly doesn’t believe that men have this elusive “sacred fire”) and all very different.  They are Ermonela Jaho (of course), Barbara Hannigan and Asmik Grigorian.  Now these are all singers about whom I have strong opinions and that may colour my view of the film.  You have been warned.  What follows concentrates on what I think the film tells us about its three principals.  The film does this more by show than tell with lots of performance and rehearsal footage as well as interviews.

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Il Trittico

Puccini’s Il Trittico is a collection of three one act operas designed to be performed on a single evening.  They rarely are.  Perhaps this is because performing all three makes for a rather long evening (and for a huge cast) or maybe it’s because two of the three aren’t all that great.  In any event, while most opera goers will likely have seen the comedy Gianni Schicchi, most will likely not have seen the two tragedies that precede it; Il Tabarro and Suor Angelica.  However, all three works were performed as a triple bill at the Royal Opera House in 2011.  The show was broadcast by the BBC and is available on Blu-ray and DVD.  All three pieces were directed by Richard Jones and Anthony Pappano conducted.

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