Domenico Cimarosa’s 1788 piece L’Italiana in Londra is not performed very often. If you wanted to see it this year your only option would be a revival of the 2021 Frankfurt production which was recorded and is the subject of this review.

Domenico Cimarosa’s 1788 piece L’Italiana in Londra is not performed very often. If you wanted to see it this year your only option would be a revival of the 2021 Frankfurt production which was recorded and is the subject of this review.

Against the Grain Theatre have released a location shot film of Holst’s Sāvitri on Youtube. It’s a very beautiful film with some fine music making but I really wonder why anyone would choose to lavish their talents on this particular opera.

Continuing my struggle with Britten’s The Rape of Lucretia I got hold of the Blu-ray recording of Fiona Shaw’s 2015 Glyndebourne production. I’m beginning, I think, to see my way to understanding the problems inherent in the libretto and some of the strategies that can be used to overcome them. The more minor problem is Junius and the odd scene early in Act 2 where he seems to be inciting the Romans to revolt while acting as a general in Tarquinius’ army while, also, apparently, been in some sense complicit in the rape. So we have a two faced power hungry schemer who is oblivious to the consequences of his mischief making; whether rape or rabble rousing (a sort of Roman Boris Johnson). Most productions ignore this aspect of things and probably rightly.
