I’ve been listening to Emily D’Angelo’s debut album elageia (find out more in the next edition of Opera Canada). It features music by Missy Mazzoli, with whom I’m a bit familiar, and by Sarah Kirkland Snider and Hildur Gudnadóttir, who are both new to me. Like Mazzoli, Snider is an exponent of that kind of cross-genre vocal music that seems to be assuming some significance in the US music scene. I’ve been listening to her song cycle Penelope which riffs off Homer’s Odyssey from a woman’s POV. Specifically the texts, by playwright Ellen McLaughlin, tell the story of a woman re-engaging with the man she was married to who has gone missing missing for 20 years and returned with PTSD.