Sky of My Heart

New York Polyphony are a quartet of singers; Geoffrey Williams – counter-tenor, Steven Caldicott Wilson and Andrew Fuchs – tenors and Craig Phillips – bass.  On Sky of My Heart they mostly sing unaccompanied but are joined by the LeStrange Viols (Loren Ludwig and John Mark Rozendaal – treble viol, Kivie Cahn-Lipman – tenor viol, Zoe Weiss and Douglas Kelley – bass viol).

The album is a mix of Renaissance and contemporary pieces; most of the latter composed for NYP.  They are very good singers with terrific control and a very clean largely vibrato free sound that works well for most of the music on the disk.  Some of the material is religious; William Byrd’s setting of Ecce quam bonum, Becky McGlade’s setting of Prudentius’ Of the Father’s Love Begotten and Ivan Moody’s settings of three excerpts from the Song of Songs.  All of these are unaccompanied in a churchy sort of style. Continue reading

VOCES8 at St. James

UK based vocal octet VOCES8 sang Tuesday night at St. James Anglican Cathedral.  The whole thing was arranged by Daniel Taylor of the Theatre of Early Music at the UoT and marked VOCES8’s Canadian debut.  I confess to a weakness for choral music in the Anglican tradition so this was a welcome opportunity to hear some very highly regarded performers.  They didn’t disappoint.  They are a finely tuned and highly skilled group.

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Crowning George II

The one thing Daniel Taylor did not explain in his introduction to The Coronation of King George II, presented by Toronto Summer Music Festival, last night was how on earth he, and whatever friends and substances were involved, came up with the concept.  It’s not immediately apparent that interweaving some of the music from the 1727 coronation service with snippets from the liturgy while throwing in some earlier music that might have been used in earlier coronations and, to cap it all, Tardising in some Parry and Tavener makes any sense at all but in a weird way it did.  There was even a real priest brought in to play the Archbishop of Canterbury (looking disturbingly like the Bishop of Bath and Wells) and an actor playing the king.  Oddly it made for an hour or so of rather good music mixed with just enough levity to offset the mostly extremely lugubrious text of the liturgy.

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