Hymns to Night

bcurrentThe 21C Afterhours concert in Temerty Theatre last night featured a candle lit performance by a varied ensemble of conservatory students conducted by Brian Current.  Brian did a great job of introducing the music; contextualizing it and suggesting what the audience might listen for.  That could maybe be done more often with complex contemporary music.

The first piece was Bekah Simms’ Foreverdark.  It’s a ten minute concertino for amplified cello, ensemble and electronics playing homage to heavy metal.  It’s scored for a quite a large group including strings, brass, woodwinds and lots of percussion including a drum kit.  It starts out very abrasively then becomes somewhat more lyrical and the then the texture lightens up but it’s still pretty complex.  David Liam Roberts was the soloist and did an excellent job.

Continue reading

Venus and Adonis

This year’s fall opera production from the Glenn Gould School is John Blow’s 1683(?) masque Venus and Adonis.  For those not familiar with the genre the masque was a court entertainment combining music, dance, poetry and drama.  Here the framing story is the brief love affair between Venus and handsome young Adonis who is unfortunately gored to death by a boar.  The main sub plot concerns Venus giving sage advice to Cupid and his band of little cupids.  In between there are hunting choruses, dance and extracts from Romeo and Juliet and A Midsummer Night’s Dream.

Venus & Adonis 2022 - Photo #1

Continue reading