Making sense of La Sonnambula

I’m not a huge bel canto fan so it’s probably no surprise that I had, previous to this DVD, only seen Bellini’s La sonnambula once.  That was in Mary Zimmermann’s messy production at the Met which had left me with the impression that it was a rather feeble comedy with formulaic music and not much improved by Zimmermann’s attempts to sex it up.  I did wonder if it might be improved by the full on Regie treatment and so I was quite happy to have a chance to see the DVD of Jossi Wieler and Sergio Morabito’s 2013 Stuttgart production, especially as it had played to significant critical acclaim and won a bunch of awards.  I was surprised and impressed.  Far from being a cavalcade of extraneous elements (the usual charge levelled at Regie), this production probed the libretto and the source materials in a highly intelligent way to produce something really rather moving.  The music is still what it is; tuneful, well crafted but hardly deep, but there you go.

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Flute of death and life

It’s hard to fault any aspect of the new recording of Mozart’s Die Zauberflöte recorded earlier this year at the Baden-Baden festival.  The soloists are consistently good, and in some cases very good indeed, Simon Rattle is in the pit with the Berlin Philharmonic and Robert Carsen’s production is beautiful to look at and thought provoking without being pointlessly provocative.  Add to that first rate video direction and superb Blu-ray sound and picture quality and one has a disk that looks competitive even in the very crowded market for Zauberflöte recordings.

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