Tag Archives: done

A rather different Opera Revue show

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82448A99-7CBC-4566-B525-35743D468953-1Opera Revue teamed up with Opera Atelier for a show called Trills, Chills and Thrills at the Redwood Theatre on Sunday evening.  The usual gang of Danie Friesen, Alex Hajek and Claire Harris were joined by tenor Ben Done and mezzo Kathryn Rose Johnston for a programme of opera arias and musical theatre numbers that (sort of) turned the plot of Handel’s Acis and Galatea (OA’s upcoming show) into a murder mystery.

There was music on spooky themes by Britten (Turn of the Screw), Schubert, Handel (of course), Corigliano (Ghosts of Versailles), Lloyd Webber (Phantom, natch), Verdi and more.  It was glued together by a narrative in which the mermaid/nymph Galatea is murdered and despite being turned into sushi her ghost returns to wreak its revenge.  And there was one of the dances from Acis and Galatea (Julia Sedwick and Eric da Silva). Continue reading →

It was the best of times…

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UoT Opera Division’s production of Arthur Benjamin’s A Tale of Two Cities, currently playing at the MacMillan Theatre, is really rather good.  Its partly the work itself which surely deserves to be better known.  It’s a 1950 work to a libretto by Cedric Cliffe.  It was written for the Festival of Britain and was considered a success at the time.  It is in many ways typical of mid 20th century English opera (though Benjamin was a peripatetic Australian rather than a Brit).  It’s colourful and uses a large orchestra with lots of brass and percussion and combines lyricism with some fairly heavy dissonance.  It also includes a few good arias, notably one for Lucie Manette, the romantic female interest.

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Dr. Manette (Burak Yaman), Lucie Manette (Emily Rocha)

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Trilogy

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This year’s fall offering from UoT Opera is three short comic operas presented at the MacMillan Theatre in productions by Michael Patrick Albano.  The first is Paul Hindemith’s Hin und Züruck; a twelve minute musical joke which manages to send up a lot of operatic conventions in a very short time.  It’s a musical and dramatic palindrome.  A man discovers his wife has a lover and shoots her.  The paramedics arrive and attempt to revive her.  In this staging this includes a giant syringe and no prizes for guessing where that goes. The remorseful husband shoots himself.  An angel (Ben Done) appears and explains that the usual laws of physics don’t apply in opera and the entire plot and score is replayed backwards.  It was played effectively deadpan by Cassandra Amorim and Lyndon Ladeur while Jordana Goddard, as the elderly deaf aunt, sat through the whole thing entirely oblivious.  Good fun.

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