Anyone familiar with the work of cellist Peter Eom, who performed on Wednesday in the RBA, would not have been expecting a collection of Bach and Britten pieces.  They might have been surprised though by the floor layout, which featured six “cello stations”.  Peter’s introduction stated that his recital was titled Primordial because he wanted to suggest rituals, dreams and surrealism and he wanted us to take the recital on whatever terms we, or our subconsciousnesses, chose but to experience it as a single whole played end to end.

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