More “oy vey” than “¡Olé!”

First a disclaimer, I’m not a huge Massenet fan and even among his works Don Quichotte would rate pretty low with its cheesy melodies and faux Spanoiserie.  However, a good production has the potential to liven it up and a stellar cast is always a plus.  The run that opened at the Canadian Opera Company last night certainly had the latter in Ferruccio Furlanetto, Quinn Kelsey and Anita Rachvelishvili.  Unfortunately Linda Brovsky’s production looked and felt like one of Mr. Peter Gelb’s attempts to get the Broadway audience into the Met.  It was cluttered, unfocussed, pretty much devoid of ideas and didn’t even really make best use of the acting talents of the principals though Rashvelishvili did her best to inject some life into it.  It’s exactly what I feared when I heard they were going to use a real horse and donkey (later replaced by a mule in one of the more recent of the season’s casting problems at COC).  For me, one of those productions almost best listened to with eyes closed.

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La Bohème at COC is lots of fun

La Bohème has been running at the COC for a couple of weeks now but last night was the first performance for the second cast.  There are some new faces; Michael Fabiano comes in as Rodolfo with Simone Osborne as Musetta, Tom Corbeil as Colline and Cameron McPhail as Schaunard.  There are also some change ups.  Joyce El-Khoury swaps Musetta for Mimi and  Phillip Addis swaps Schaunard for Marcello.  I’ll be back Friday to see the opening night cast with the exception of Eric Margiore coming in as Rodolfo.

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What harbour shelters peace?

Readers of this blog will likely know that Peter Grimes is a very special opera for me.  I’ve watched it live and on recordings a lot.  I think about it a lot troo so the chance to see it live is rather special.  It’s even more special when it’s done as well as at the Four Seasons Centre last night in the opening performance of a new run of Neil Armfield’s much travelled production, revived here by Denni Sayers.

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