On to the arias

And so to the aria competition.  Twenty four singers in three sessions are competing for twelve places in the semifinals.  It’s piano for the first round but after that it’s the Maison Symphonique and the OSM.  As with the art song competition I’ve tried to keep my session reports free of hindsight.  This one was written between the afternoon and evening sessions last night.  It will be followed by a report on yesterday evening and tomorrow should see the post on the third session and the judges decisions.

First up in afternoon was Canadian mezzo Carolyn Sproule.  She kicked off with Strauss’ Wie du warst!, followed it up with Printemps qui commence from Samson et Delila and finished up with Ah! Quando all’ara scorgemi from Maria Stuarda.  It was all pretty good.  She’s a genuine mezzo with power enough and she got more dramatic as the set went on.  I thought it was maybe a little under-characterised but compared to much of what came later it was positively thespian.

AriaQuarterFinals-2

Continue reading

Judges and other creatures

The judges make their decisions by voting without discussion so there is no rationale given for the results.  Anyway while they were doing that I tried to guess what might result.  I divided the field into three lists; Probables, Maybes and Probably Not.  Here’s my list:

Probables: Brancy, Chaieb, Krisna, Sharvit, Taffot and You.

Maybes: Neher, Osowski, Park, Summerfield.

Probably Nots: Fanyo, Fischer, Punkeri, Simard-Galdès, Tayloe.

SemiFinalists(Melodie)-1

Continue reading

Not a Gretchen in sight

So back to the Salle Bourgie for the second and final batch of art song contestants.  First up was mezzo Hagar Sharvit.  I liked her.  It’s a genuine mezzo voice and if her Fauré and Schubert offerings were a bit “flow of beautiful tone” they displayed plenty of power and a nice ability to spin a line.  Her version of Britten’s O Waly, Waly was rather good ; more dramatic and with perfect diction.  A strong start.

MelodieQuarterFinals-22

Continue reading

The All Gretchen Show

Yesterday afternoon and evening we heard all sixteen contestants in the preliminary round of the art song competition and the eight semifinalists were announced.  To try and keep things interesting I’m going to do three posts; one on the afternoon, one on the evening and one on the judging and other general observations.  The first was written between the afternoon and evening sessions yesterday and I haven’t updated it with later information.  The second will be based on my notes and I’ll try to ignore who the fact that at time of writing I know the results.  So here’s the first post about yesterday afternoon…

MelodieQuarterFinals-6

Continue reading

This is not Ed Morrow reporting

So I’m in Montreal for the Concours musical international de Montréal – Chant.  Today was very much about preliminaries.  There was a press event where we were introduced to the judging panel and a short performance by the contestants.  There was also the chance to catch up with old friends over lunch.  The real business starts with the preliminary rounds of the art song competition tomorrow afternoon and evening.

IMG_1093

The contestants rehearsing this morning

Continue reading

Assorted news and signal boosts

genderneutralHere’s the news that’s arrived in my inbox this week.

Toronto Alliance for the Performing Arts announced that from 2019 the DORA awards will be gender neutral.  In categories where there has traditionally been “Best Performance by a Male” and “Best Performance by a Female” there will now be a single “Best Performance” award.

Continue reading