Dido and Aeneas in Trinity College Chapel

Last night the UoT’s early Music program presented Purcell’s Dido and Aeneas in the chapel at Trinity College.  It was a bit of a strange experience.  The work was semi-staged with dancers doubling Dido and Aeneas and a few extra as “chorus dancers”.  With a twelve person chorus and all the soloists plus the small band this made for a lot of people in the space.  Trinity College Chapel is long, narrow and high with traditional pew seating and a minimally raised platform for the altar.  All of which meant that only the first few rows and , maybe, people on the aisle had much of a view of anything.

tcc Continue reading

Up close with Aschenbach

Death in Venice is a curious opera.  Based on a Thomas Mann novella, it concerns the aging writer Gustav von Aschenbch and his meditations on aging and art, as well as his obsession with a Polish boy encountered at his Venice hotel.  Very little actually happens.  Aschenbach has a series of encounters with quotidien characters such as the hotel manager and a hairdresser but mostly he observes and what we hear are a series of inner monologues.  To work as theatre Aschenbach must capture our interest and our sympathy.  If he doesn’t the piece can be incredibly boring and irritating.

1.aschenbach Continue reading