Le astuzie femminili

Domenico Cimarosa’s 1794 Commedia per musica; Le astuzie femminili, is extremely silly.  It’s like an early Rossini farsa but a full two acts running almost three hours.  There’s a girl called Bellina, who bears a more than passing resemblance to Rossini’s Rosina.  She has been left a fortune by her father contingent on her marrying a dude from Naples called Don Giampaolo Lasagna.  But she is in love with the penniless Filandro.  Worse, her guardian, the notary Don Romualdo also wants to marry her despite having promised to marry his housekeeper Leonora.  There’s also Ersilla, a friend of Bellina, who doesn’t seem to be in love with anybody.

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La Dori

Pietro Antonio Cesti’s 1657 dramma musicale La Dori is a hoot.  It seems to prefigure every plot device that will ever be used in opera.  A baby sold by bandits who turns out to be a princess.  Pirates. A ghost. Mistaken identities.  Swapped potions. Men pretending to be women.  Women pretending to be men.  Love polygons of fiendish complexity.  I won’t even attempt to explain the plot because it’s very complex and silly and hardly matters.  It took me a half page diagram just to map the relationships between the characters.

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