Here’s another fine example of how well Handel’s oratorios can work when staged. It’s a recording of Hercules made at Paris’ Palais Garnier in 2004. The staging is by Luc Bondy and William Christie and Les Arts Florissants are joined by a youngish cast of extremely good singers. It’s compelling stuff. I think what, for me, makes the oratorios much more interesting than most of Handel’s opera seria is structural. The operas tend to alternate recit and da capo aria with maybe a duet or chorus to close an act but they are pretty predictable. In the oratorios Handel makes much more use of ensembles and the chorus and, for me, that’s vastly preferable.