Der Schatzgräber

Franz Schreker’s Der Schatzgräber premiered in Frankfurt in 1920.  It was his last and most successful opera but it disappeared from the repertory under the Nazis and performances have been rare since WW2.  Christof Loy directed it for Deutsche Oper Berlin in a new production in 2022, marking the 100th anniversary of the first performance in Berlin.  It was also a continuation of Loy’s project of bringing less well known opera with “strong female characters” to DOB, following his production of Korngold’s Das Wunder der Heliane and Zandonai’s Francesca di Rimini.

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Roméo et Juliette at the Liceu

I’m actually not sure where to start with Stephen Lawless’ production of Gounod’s Roméo et Juliette recorded at the Liceu in 2018.  The production is a bit weird but then so is the libretto.  It follows the basic plot of Shakespeare’s play but weakens it dramatically in all the wrong places which appears to be why Lawless made some of his, to my mind, less felicitous decisions.

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Bryn in Don Pasquale

I don’t really associate Bryn Terfel with bel canto comedies but why not?  He’s a good actor and he’s certainly funny in recitals so why not in opera?  So, what’s he like in the title role of the production of Donizetti’s Don Pasquale recorded at Covent Garden in 2019?  Short answer, excellent, and pretty much everything about the show is highly satisfactory.

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Ernani

Ernani is an early Verdi opera (1844) and it’s not performed that often (16th most performed Verdi opera according to Operabase).  It was given at the Maggio Musicale Fiorentino in 2022, in a production by Leo Muscato, which was recorded for video release.  How you react to it may partly depend on how you feel about bel canto operas on (more or less) serious themes.  This is an opera about unrequited love and revenge (lots of revenge) but, in typical bel canto style, the music doesn’t always fit the mood.  So here we open on a prelude where Ernani’s bandit gang are sorting out the corpses from their latest skirmish while the orchestra plays a rather jolly tune, then they break into a drinking song and then Ernani enters and sings a rather lovely cavatina.  There are places where the music is darker and some of it is really rather good.  In particular there are some strong duets for Ernani and his (everyone’s) love interest Elvira.  Overall, I rather liked it musically.

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The other Humperdinck opera

Humperdinck’s second “fairy tale” opera; Königskinder, is unusual in that, although it includes traditional fairy tale elements, it isn’t based on a traditional fairy tale but rather on a play by Else Bernstein-Porges.  It’s, of course, also performed much less frequently than Hänsel und Gretel.  It was given at Dutch National Opera, in a production by Christof Loy, in 2022 and recorded for video release.

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Il Trittico with Asmik Grigorian

It’s quite rare nowadays to stage all three Il Trittico operas in one evening and it will probably get rarer as financial pressures force shorter shows.  Nonetheless it was done in Salzburg in 2022 in productions by Christof Loy.  The USP was having Asmik Grigorian sing all three principal soprano roles so, not unreasonably, the usual order was switched up with Gianni Schicchi coming first and Suor Angelica closing things out.  Unsurprisingly, and as intended, the evening increasingly became the Grigorian show as each opera succeeded the previous one.

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Boris in the Garden

No, not a pandemic piss-up at No.10 but a newly released recording of Mussorgsky’s Boris Godunov recorded at Covent Garden in 2016.  Funnily enough I remember Bryn Terfel, who plays the Tsar, alluding to learning the role during his Koerner Hall recital in April of that year.

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Oedipus Rex

A video recording of Stravinsky’s Oedipus Rex is a bit of an oddball really.  It’s quite short (55 minutes) and it’s an oratorio rather than an opera.  I guess it could be staged but the version recorded at the Maggio Musicale Fiorentino in 2022 isn’t.  It’s a concert setting, in concert dress, with music stands.  There’s not even minimal blocking.

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To begin at the end

It’s probably not ideal to begin the review of a new Ring cycle with Götterdämmerung but in the case of the cycle directed by Valentin Schwarz that premiered at Bayreuth in 2022 Götterdämmerung is the first to be released on video.  Fortunately the generous two Blu-ray disk package includes a narrated summary (in English and German) of the whole cycle as seen by the director so it’s possible to put Götterdämmerung in context

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Siberia in Bregenz

Giordano’s Siberia is less well known than some of his other works such as Andrea Chenier and Feodora but it has been getting something of a revival recently with a production at the Maggio Musicale Fiorentino in 2021 (released on Blu-ray and DVD by Dynamic) and at the Bregenz Festival in 2022 which has also now been released on Blu-ray and DVD.

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