Jessye Norman – The Unreleased Masters

jessyenormanunreleasedDecca have just released a 3CD set of previously unreleased recordings made by the late Jessye Norman between 1989 and 1998 with various orchestras and conductors.

The first is a series of extracts from Wagner’s Tristan und Isolde recorded in Leipzig in 1998 with Kurt Masur conducting the Gewandhaus Orchestra.  Besides the Prelude there’s most of the Isolde/Brangäne scenes from Act 1 (Hannah Schwarz is Brangäne).  Then comes the huge Act 2, Scene 2 duet; “Isolde! Geliebte! – Tristan! Geliebte!” etc, with Thomas Moser as Tristan, and finally, and inevitably, the “Liebestod”.  It all sounds really good with the duet properly ecstatic and the “Liebestod” very moving.  It’s a studio recording made in many takes so that challenging final scene doesn’t have to be sung after many hours on stage which no doubt contributes but it’s all very fine and a good record of Jessye in the role.

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A different take on Tosca

For quite some time I have wondered whether it’s possible to reinterpret Puccini’s Tosca or whether the specificity as to time and place in the libretto makes it effectively impossible?  Indeed I had never even seen it tried.  All this despite the many and obvious anachronisms in the libretto.  All the Toscas I had seen were clearly set in Rome in that one week in 1800 (or at least the implausible version of it that’s contained in the libretto)!  Phillip Himmelmann’s production for the 2017 Baden-Baden Easter Festival breaks the mould in giving it a contemporary, or perhaps near future, setting.

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Flute of death and life

It’s hard to fault any aspect of the new recording of Mozart’s Die Zauberflöte recorded earlier this year at the Baden-Baden festival.  The soloists are consistently good, and in some cases very good indeed, Simon Rattle is in the pit with the Berlin Philharmonic and Robert Carsen’s production is beautiful to look at and thought provoking without being pointlessly provocative.  Add to that first rate video direction and superb Blu-ray sound and picture quality and one has a disk that looks competitive even in the very crowded market for Zauberflöte recordings.

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