Leonore (1805)

Opera Lafayette’s March 2020 production of Beethoven’s 1805 precursor to Fidelio; Leonore, was reviewed by Patrick Dillon in the Summer 2020 edition of Opera Canada. It’s now been released on DVD and Blu-ray. Watching it on video I think tends to highlight further the weaknesses described by Patrick. It can’t seem to make up it’s mind what it is; musically or dramatically. Is it a Singspiel or something grander? The dramatic focus drifts, somewhat bathetically, from the domestic comedy of the Leonore/Marcellina/Jacquino love triangle to the “faithful and virtuous wife” theme to, almost, entering more involved philosophical/political territory before relapsing into a sort of cop out ending. The (very real) strengths of the final version of Fidelio are not much in evidence here.

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Hockey Noir

Hockey Noir; music by André Ristic, words by graphic novelist Cecil Castellucci, is a piece presented by Montreal based ECM+ and brought to Toronto in collaboration with Continuum and The Toronto Comic Arts Festival.  It’s described as a “graphic opera” which I suppose is OK as far as it goes.  I saw it as a theatre piece incorporating, and sometimes parodying, opera, musical theatre, film noir, the graphic novel and animation.  It’s set in the 1950s and riffs off the old tropes of Montreal/Toronto hockey rivalry and the entanglement of local government and organised crime in Montreal.

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