Montreal baroque

Wednesday’s lunchtime concert in the RBA featured three faculty members and two students from the Schulich School’s early music programme.  It was quite a varied programme.  It started with Dario Castello’s (1602-1631) Sonate concertate in stile moderno, Prima Sonata à due soprani which is a very early example of the sonata form played here by two violins (presumably the due soprani) with harpsichord and cello continuio.  Quite interesting and very well played.  Another very esarly piece followed; Frescobaldi’s Partita sopra la Follia for solo harpsichord.  Again, unusual, interesting and very well done.

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Haydn’s Orfeo at the MacMillan Theatre

orfeoposterLast night saw the first of two performances of Haydn’s rarely performed 1791 work Orfeo: L’anima del filosofo.  I know how much effort and indeed passion went into creating this production and the singing is pretty good.  I wish I could say I enjoyed it but I can’t.  There were just too many issues.

Let’s start with the opera itself.  Maybe it was never completely finished as it was shut down by the authorities during rehearsals in London.  Maybe that’s why it feels horribly unbalanced.  The first half (two acts) tell us of Eurydice being betrothed, against her will, to her father, King Creonte’s, rival Arideo.  She runs off into the forest where she is about to be devoured by beasts when the news is brought to Orfeo who then sings at length before “rushing” off to rescue Euridice.

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Haydn’s Orfeo

Orfeo (_icon)On May 26th and 27th in the MacMillan Theatre there’s a chance to see Haydn’s rarely performed Orfeo: L’anima del filosofo. It was composed for London in 1791 but was shut down during rehearsals because the Lord Chamberlain’s office thought it subversively supportive of enlightenment values at a time when Pitt’s government was cracking down brutally on pro French Revolutionary sentiment in the UK.

It finally made it to the stage in 1951 in Florence with Maria Callas as Euridice.  It’s had a few runs in Europe since, including Cecilia Bartoli’s Covent Garden debut, but can scarcely be called a “staple of the repertoire”.  Now it’s being given its North American  premiere by a collaboration between the music schools at University of Toronto and McGill University led by Dr. Caryl Clarke. Continue reading