Diary and announcements

101574_DonGiovanni_Giovanni_Szenenfoto_02I guess it’s starting to quieten down a bit.  Next week there are a couple of things of interest.  On Monday the Faculty Artists at UoT have a concert in Walter Hall with Uri Mayer conducting.  It’s an all Mahler program with the Lieder eines fahrenden Gesellen and the Fourth Symphony.  The vocal soloists are Monica Whicher and Darryl Edwards.  Later in the week the UoT Opera has its main fall production.  This time it’s Don Giovanni conducted by Uri Mayer and directed by Marilyn Gronsdale.  That’s in the MacMillan Theatre at 7.30pm on Thursday, Friday and Saturday with a matinée on Sunday.  There will, as usual be two casts; one on Thurs/Sat and the other Fri/Sun.  On Friday there’s another Whose Opera is is Anyway? from LooseTEA Theatre; Toronto’s opera improv.  That’s at 7.30pm at the Comedy Bar.  They are moving from there (good!) to Bad Dog Theatre for their December show on the 20th which should also be hosting a monthly show in 2018.

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Winter draws on

Moving into winter what does the Toronto opera/concert calendar have to offer?  This coming week there’s an interesting looking concert in the RBA at noon on Tuesday.  The Haven Trio (soprano Lindsay Kesselman, clarinetist Kimberly Cole Luevano, and pianist Midori Koga) will perform the world premiere of Toronto-based composer Kieren MacMillan’s Three Portraits, a dramatic setting of poems by Dana Gioia, the current Poet Laureate of California.

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On the radar

hoover_scruff_fight copyComing up this next week.  Tomorrow Toronto Operetta Theatre are performing Calixa Lavallée’s The Widow.  He’s the dude who wrote the music for O Canada! so no idea what to expect.  It’s at the Jane Mallett Theatre at 3pm.  Monday at 7pm at the Zoomerplex is the IRCPA Singing Stars of Tomorrow concert.  My interview with Brett Polegato about it is here.  And this is the link for ticket purchase.

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The latest Opera Canada

Vol-58-2-Front-Cover.jpgThe latest issue of Opera Canada arrived in my mailbox yesterday.  It’s the first issue produced by Gianmarco Segato as editor and there are a few noticeable changes.  The general structure and look is the same but there are some new bylines.  I noticed Sara Schabas has a rather good piece on Marie Clements.  I’d bet a fiver that Sara is the youngest contributor to the mag in a while.  There’s also an article by Dean Burry on the Canadian Children’s Opera Company tour of Brundibár to the Czech Republic, Poland and Hungary including a trip to Terezín.  The obituaries include, sadly, Émile Belcourt who I saw sing Loge at ENO back in the 70s in the memorable run of The Rhinegold conducted by Reginald Goodall.

There’s lots more including my contributions; a piece profiling Marion Newman, plus reviews of a live performance, a CD and a DVD.  And finally, there’s mention that Alexander Neef saw Gerry Finley in Reimann’s Lear in Salzburg.  He couldn’t could he?  No he couldn’t.  Does to dunk head in cold water…

A preview look at the UoT’s Don Giovanni

UoT Opera’s fall production of Don Giovanni will open in three weeks time.  Today, in Walter Hall we got a few hints on what we may be seeing plus some semi staged excerpts.

For director Marilyn Gronsdale one way into Don Giovanni (and she accepts that there are many) is to see it as being about how the actions of the powerful impact the lives of the many.  In a sexual context it’s clearly of relevance to our times with a serial groper in the White House, a British cabinet minister out on his ear for sexual impropriety and one of Hollywood’s most powerful figures rapidly being cast into outer darkness.  One technique to be used to emphasise this is a silent chorus of women who will witness/bear witness to the action.  Maybe this is something like the Land Assembly in Peter Hinton’s take on Louis Riel?  We also learned that the design aesthetic will be stylized 1940s film noir and that we may be in for a surprise with the ending.

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Act 2 sextet: Brendan Friesen, Matthew Cairns, Alyssa Durnie, Jamie Groote, Sarah Abelard, Alex Halliday (I think)

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Announcements round up

ChurchHere’s an assortment of announcements from my In Box…

December 10th at 4pm Rosedale Presbyterian there’s a fundraiser for the church.  The program is called Respite and Dream and will include Santoliquido songs, Tosti and Verdi songs, French and English songs, Brahms, Strauss, some excerpts from Rosenkavalier and some Xmas stuff.  Rachel Andrist will be at the piano with Sara Schabas, Danielle MacMillen, Jessica Scarlato, Jonelle Sills, Nicole Percifield and Jocelyn Fralick singing.  Not sure about ticketing yet but take a cushion.

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Into November

eberwienSo coming up in the next week or so…

On Monday LooseTEA have another Whose Opera is it Anyway? show.  It’s at 9.30pm at Comedy Bar, 945 Bloor West.  Alaina Viau directs with hosting by Greg Finney, Natasha Fransblow at the piano and Jeff Boyd, Amanda Cogan, Adanya Dunn, Gillian Grossman, Rachel Krehm, Jonathan MacArthur, Erin Stone, and Lindsay Sutherland Boal doing silly things.

On Tuesday Lauren Eberwein and the Rosebud Quartet have a noon time concert in the RBA including the fascinating and very difficult Schoenberg String Quartet No.2.  Barbara Hannigan was the last person to do that in the RBA so no pressure.

Wednesday evening is Centre Stage, the COC’s Gala/Singing Competition/Audition for the Ensemble Studio.  Things kick off with booze and snacks at 5pm.  It’s at the Four Seasons Centre of course.

Thursday, UoT Opera are previewing their Don Giovanni in a free concert at 12.10pm in Walter Hall.  Later, at 9pm, it’s AtG’s Opera Pub Night at the Amsterdam Bicycling Club.

In the continuing runs department, Arabella closes out tomorrow at the COC but The Elixir of Love runs through the 4th.  Soundstreams’ Müsik für das Ende, which opens tonight, runs all week at Crow’s Theatre and Opera Atelier’s The Marriage of Figaro also runs through the 4th.

 

A crazy week

MusikfurdasEnde-v1It’s a bit of a crazy week coming up.  On Monday at 8pm there’s the first in a series of young artists concerts presented by Atelier Rosemarie Umetsu and Yamaha Canada.  This one features pianist Cindy Liu in an all Prokofiev program.  It’s at Rosemarie’s atelier at 310 Davenport Road and tickets are $20 ($10 student).

Tuesday is a double header with Erin Wall performing at noon in the RBA in a program of Korngold, Debussy and Duparc.  Then at 5.30pm at the Canadian Music Centre there’s a CD launch concert for Sing Me at Midnight; the latest recording from CASP featuring songs by John Greer.  Both these events are free.

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Back to the future with the Toronto Consort

Fantasticus-Website-Image.jpgThe Toronto Consort has recently announced leadership changes concomitant on David Fallis stepping back his involvement as Artistic Director.  I have to admit that although I’ve attended and enjoyed Toronto Consort shows from time to time I’ve been a bit hazy about what they were about so it seemed like a good time to put that right.  Yesterday I set down with David Fallis and Laura Pudwell to talk about the Toronto Consort; past, present and, especially, future.

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COC 2016/17

AlexanderNeefThe Canadian Opera Company released its annual report and accounts for 2016/17 last night.  The big news was the extension of General Director Alexander Neef’s tenure to the end of the 2025/26 season.  The financial news was basically “same old same old”.  Ticket sales once again showed a small decline which was compensated for by record fundraising performance to yield, essentially, a break even.

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