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About operaramblings

Toronto based lover of opera, art song, related music and all forms of theatre.

Game of Life

Game of Life is a two part exhibit/performance based on the personal story of bluemouth inc. artist Lucy Simic. Shortly before the pandemic she was diagnosed with brain cancer and the piece explores what it’s like to live with cancer against a backdrop of Lucy’s artistic life and relationships in Canada, and more recently, Brooklyn.

The first component of the piece is an installation; Lucy AI.  This consists of an interactive AI model into which aspects of Lucy’s personal history, beliefs and values have been fed (I understand an 800 question questionnaire was involved).  The piece loops for about 90 minutes alternating opportunities for audience members to interrogate the model with video clips, with voiceover, about Lucy’s life and journey.  I spent the suggested 90 minutes with the installation but I could probably have done pretty much as well with 20-30 for reasons that will become apparent later.

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April upcoming

Here’s what I’m looking forward to in April:

  • April 1st.  Ambur Braid is giving a master class at noon in Walter Hall.  This is not an April Fool… probably.
  • April 3rd.  Midori Marsh is appearing at Walter Hall at 1.30pm in a Women’s Musical Club of Toronto concert.
  • April 5th.  Flamenco flautist Lara Wong is appearing as part of F for Flamenco at Parkdale hall at 8pm.
  • April 8th. Duo Oriana; soprano Sinéad White and lutenist Jonathan Stuchbery, are appearing in the RBA at noon with an HIP song recital.

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with you and without you

Every year Soundstreams has a competition to find a young artist to curate a main stage concert.  This year’s lucky winner is Brad Cherwin, who will need little introduction to readers of this blog, and the concert took place at the Jane Mallett Theatre on Saturday night.

It was, in many ways, a typical Cherwin programme.  Some works were played in their entirety while others had their individual movements spread through the programme.  The overall theme was “Love and Death” and the programme was divided into four cycles with somewhat enigmatic titles.  Twelve instrumentalists, plus soprano Danika Lorèn and conductor Gregory Oh were used in various combinations.

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Tapestry officially opens 877 Yonge Street

Tapestry Opera and Nightwood Theatre’s new digs at 877 Yonge Street are now officially open.  I was unable to attend Saturday nignt’s opening gig and party but I did get to attend the free concert for the local community in the afternoon and get a tour of the premises.

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Homage to Shostakovich

Dmitri Shostakovich died on 9th August 1975; the day after my 18th birthday and I remember the feeling of sadness and hurt I felt when I heard the news.  The 50th anniversary is being celebrated by a fair number of concerts featuring the great man’s works including one given my members of the COC Ensemble Studio in the RBA on Thursday.

The material featured was comparatively unknown even by the standards of Shostakovich songs which are, in general, much less well known than his symphonic and chamber works.  Matters started playfully enough with a four hands arrangement of Waltz No.2 played with appropriate whimsy by Brian Cho and Mattia Senesi  It was followed by the first of two sets by Duncan Stenhouse; two of the songs from Four Romances on Poems by Pushkin, Op.46.  Using text by Pushkin allowed the composer to express sentiments about authority that would otherwise have been very risky and these pieces are sombre.  They were very solidly sung with some impressive floaty high notes, variation of colour and fine work by Senesi.  Shostakovich rarely lets one forget he started out as a pianist! Continue reading

Minimalist Magic Flute with a Japanese twist

The Glenn Gould School gave the first of two performances of Mozart’s Die Zauberflöte at Koerner Hall on Wednesday evening.  The production is directed by Allison Grant and is pretty straightforward, though quite heavily cut.  The “look” is maybe Miyazaki animation (costumes by Alex Amini) with a minimalist backdrop (Kim Sue Bartnik) which is enlivened by interesting projections by Nathan Bruce and quite striking lighting by Jason Hand.  There’s a sort of dumb show during the overture that the Director’s Notes imply is something to do with the opera being about a dysfunctional family (what opera family isn’t?) but the idea isn’t developed at all.

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joy & asymmetry

joy & asymmetry is a new recording from the Helsink Chamber Choir and their conductor Nils Schweckendiek.  It consista of music by Finnish composers Kalevi Aho and Einojuhani Rautavaara, although by no means all the texts are in Finnish.

There’s some interesting music on the recording but a lot of it is relatively stately, layered, polyphony.  That’s not exactly unusual for contemporary choral music and if it’s your thing there’s a lot to like her.  I’ll admit though to finding much of it quite soporific.

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