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About operaramblings

Toronto based lover of opera, art song, related music and all forms of theatre.

The Panther

first light - front coverI’m intensely interested in the different approaches that composers take to setting text so I was intrigued to read the blurb on a new CD release by American composer Jackson Greenberg.  The text is Rilke’s Der Panther and the approach is to take an old (anonymous) recording of an actor reading the poem and provide an orchestral accompaniment for it.  It’s quite short; just shy of eight minutes, and the music is an atmospheric variant on largely tonal minimalism.  It’s not a big surprise to discover the composer works mainly in film and TV.  It’s unusual and worth a listen.

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Into March

MansfieldParkImage-e1563379878710March is looking a bit thin right now.  Both UoT Opera and the Glenn Gould School have shows though.  From the 12th to the 15th in the MacMilan Theatre (7.30pm, Sunday 2.30pm) the university is doing Jonathan Dove’s Mansfield Park in a production by Tim Albery.  I’m not familiar with this work but generally I’ve been very impressed with Dove’s vocal music.  Casting etc is here.  On the 18th and 20th the GGS is putting on Ravel’s L’heure espagnole and Puccini’s Suor Angelica which is certainly an unusual pairing.  The double bill plays at Koerner Hall at 7.30pm.  Casting and creative team details are here.  UoT also have a show on the 27th at 5pm in Walter Hall called Parlami d’Amore.  In non university gigs, Tapestry Songbook X is at the Ernest Balmer Studio on the 20th at 8pm.

In free events there are a couple of noon hour concerts in the RBA.  On the 17th the Ensemble Studio have a March Break “Opera for All Ages” concert and on the 31st transgender soprano Brianna Sinclair is appearing.  And of course there’s Opera Pub in its usual time and place on the 5th.

COC Season Reveal 2020/21

My predictions were rubbish but we’ll come back to that.  There are two new productions in the upcoming season; Parsifal, which had already been announced and Janáček’s Káťa Kabanová  in a David Alden production with Amanda Majeski in the title role.  This is great.  It’s been far too long since Janáček featured at the COC.

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Glenn Gould School Vocal Showcase

The GGS Vocal Showcase is an opportunity to see all the current vocal students at the school in recital.  It’s interesting because it’s an opportunity to “talent spot” and to see how one’s favourites from previous years are progressing.  But it’s important to calibrate.  The talent on show ranges from first year undergrad to post grads.  That’s a six year span; enough university to take one from A levels to PhD when I was a lad.  Nobody should expect the standard to be even.

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Brandon Cedel in the RBA

Yesterday’s RBA concert was at the unusual hour of 5.30pm and featured bass-baritone Brandon Cedel with Sandra Horst at the piano.  It was a nicely balanced programme.  Cedel began with Purcell’s Arise, ye subterranean winds from The Tempest.  It’s one of those very Purcellian arias for low voice that feature long, not especially fast runs and put a lot of demands on the singer’s technique.  Cedel’s is very solid.  He can shape a line too and his English diction is excellent.  There was some particular fine playing from Sandra Horst here too.

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TSO 2020/21

The TSO has announced its 2020/21 season; the first under new Music Director Gustavo Gimeno.  It looks pretty much “steady as she goes”.  There is no radical departure from past programming.  Is heavy on mainstream romantic rep with a ton of Beethoven as this year’s anniversary boy.  There are the usual seasonal, pops and young persons offerings as well.

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Bob Becker

Yesterday’s lunchtime concert in the RBA consisted of four pieces for voice, tuned percussion and assorted other instruments by percussionist and composer Bob Becker.  Apparently the tonal palette for all four was taken from the North Indian rag; Rag Chandrakosh.  This is the sort of information I wouldn’t even be able to process without the help of the Wunderlemur.

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FirstFigSongbook

To Heliconian Hall last night for a short concert of songs by Danika Lorèn.  It was thoroughly enjoyable.  The songs were split up into sets of one or two and sung/accompanied by UoT grad students.  The standard of performance was pretty decent but it was very noticeable that when Danika and Stéphane Mayer inserted themselves into the proceedings everything got turned up a couple of notches.  As Danika said to me “not a student anymore” while hinting at a significant numerological event.

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The gang minus the composer

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COC in 2020/21?

predictiveThe COC unveils its 2020/2021 season next Monday so, as in previous years I took a go at predicting what it might look like.  This year operaramblings has abandoned traditional predictive methods such as animal sacrifice and hallucinogenic drugs in favour of handing all the data over to Cambridge Analytica.  That didn’t work too well as they predicted a new opera based on Brexit and Putin being elected President of the USA.  So it was back to the methodology we data scientists call “small data” where basically we make stuff up based on far too few data points.  Here’s what emerged.

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