Fiddling with Nero

Arrigo Boito is better known as Verdi’s ibrettist on several well known operas but he did write a couple of his own.  Mefistofele is probably the better known of the two but it feels like the one he put pretty much heart and soul into is Nerone.  Now it’s a matter of some controversy whether he finished the opera or not.  Four acts were completed and the composer is on record, in 1911, as describing the opera as “finished” but there’s a prose summary of a possible fifth act which is generally regarded as so unstageable that the composer couldn’t possibly have made opera out of it.  In any event the version staged at Cagliari in 2024 and recorded for video is the four act version.

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Brutally stark Ernani

Verdi’s Ernani is set in the reign of Charles V of Spain just before he becomes Holy Roman Emperor (1519), not that there’s anything remotely historical about the plot which is classic love and revenge stuff.  The reason I mention it is because I’m trying to understand what director Lotte de Beer is driving at in the production staged and filmed at Bregenz in 2023.

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Gory Guelphs and Ghibellines

Throughout the history of Italian opera the long running feud between the Guelphs and the Ghibellines has provided composers and librettists with endless opportunities for pointless revenge killings and other assorted mayhem.  They werer still doing it in 1907 when Frencesco Cilea premiered his short three act opera Gloria.

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1649 And All That

Bellini’s I Puritani is one of those 19th century operas that dishes out a version of 16th or 17th century English history that’s all but unrecognisable to anyone with any actual knowledge of the subject.  In this case we are in Cromwell’s Commonwealth and the nasty Puritans want to off anyone with a Stuart connection including the widowed queen Henrietta.  Various implausibly named Puritan colonels (everyone in the New Model apparently holds that rank) feature as well as a Royalist earl who is, of course, in love with the Roundhead commander’s daughter.  Immediately prior to marrying her though he decides to save Henrietta from execution and escapes with her thus triggering the obligatory mad scene, which is probably the main reason for watching this thing at all.  Finally Arturo (the earl) returns, is captured and, inevitably, sentenced to death.  As he is being led to the block Cromwell’s messenger arrives with the second most improbable reprieve in all of opera.  The Stuarts have been defeated and everyone is pardoned.  A happy ending with fortissimo soprano high notes ensues.

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