Maeve Palmer’s Met debut

Metropolitan United Church that is.  Not the other place.  Anyway, it was a very pleasant Thursday lunchtime recital in which Maeve was accompanied on piano by Helen Becqué.  It was essentially a “turn of the century” (as in around 1900) programme.

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The first set was Debussy’s Ariettes Oubliees.  The six songs are very Debussy.  Maeve sang them idiomatically, in excellent French and with a fair amount of variation in emotional intensity from quite restrained to exuberant.  She does “exuberant” rather well.  Equally excellent and idiomatic playing from Helen who also provided a bit of a break between song sets with pieces drawn from the Preludes Op. 12 of Luise Adolpha Le Beau.

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Rienzi

Wagner’s Rienzi is really quite an interesting work.  It follows the conventions of the French grand opera rather than the more integrated structure of most of the later works, although as presented in Toulouse in 2012 some of those elements, for example the ballet, have been removed in the interests of cutting the work down to manageable size.  Even with the Toulouse cuts it runs three hours.

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