Schmaltz and Pepper were back at Walter Hall on Wednesday night as part of Toronto Summer Music. It was a generous two hour programme featuring some of the music on their recently released CD; like “Mozart the Mensch” and “I’m Sorry Mama” plus plenty of new stuff.
It’s quite a story really. Schmaltz and Pepper started life in November 2023 and played their first gig exactly a year ago. They have become, dare I say it, a bit of a cult and their first CD is now on the street in CD and vinyl (really!?!) format with digital to come. My review of the CD is here.
Schmaltz and Pepper have a CD due for release on May 18th imaginatively called Schmaltz and Pepper. If you have heard them live you will likely have heard most of the eleven tracks on the CD. They include songs like I’m Sorry Mama (personal favourite) and Evil Eye, tunes drawn from Jewish folklore like Hershel and the Goblins and Ride to Zaslav and cunning musical jokes like Mozart the Mensch. It’s all composed by combinations of Eric Abramovitz, Rebekah Wolkstein and Drew Jurecka with a bit of help from Mozart. Continue reading
Tuesday’s concert in the RBA was at the unusual time of 5.30pm and it was rammed. Whether that was a function of the time slot or the following that Schmaltz and Pepper have built up in the short time they have been around I don’t know but it was impressive. And so was the concert. Schmaltz and Pepper consists of some amazingly versatile and virtuosic musicians; Rebekah Wolkstein on violin and vocals, Eric Abramovitz on clarinet, Drew Jurecka on lots of stuff, Jeremy Ledbetter onb piano and Michael Herring on bass.
Schmaltz and Pepper is a comparatively newly formed band (November 2023) but it contains quite a few familiar faces; Rebekah Wolkstein (vocals, violin) and Drew Jurecka (vocals and assorted instruments) from Payadora, Eric Abramowitz (clarinet) from the TSO plus multitalented Jeremy Ledbetter (piano) and Michael Herring (double bass). Between them they have backgrounds in classical, klezmer, tango, calypso, Yiddish swing, jazz and much more. The focus of the new band appears to be klezmer and Yiddish swing but since most of their material is original there are lots of influences.
operaramblings 