Pasolini’s Medea, which I saw at the very comfortable TIFF Bell Lightbox on Thursday evening, is a striking and unusual film. Visually, throughout, it is painterly in an almost surrealistic way. Locations and costumes combine to provide a weird and disturbing visual language which is never less than beautiful even when the most violent and brutal acts are being portrayed. The visuals were helped by the really good job that had been done on restoring the original print.
Maria Callas is Medea
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