Like Flesh

So another rather interesting chamber opera from Europe has come my way.  It’s Like Flesh; music by Sivan Eldar and English language libretto by Cordelia Lynn.  It’s 80 minutes long and uses three soloists, a chorus of six and an eight piece instrumental group plus electronics.  It’s sort of a modern ecological take on Ovid’s idea of a woman turning into a tree.  Here the woman is unhappily married to the Forester who buys into the basic idea that Nature exists to serve humans and is a willing accomplice in environmental degradation.  There’s also a female student who is studying the forest and is discovering much that isn’t covered in the classroom.  The transformation takes place against a back drop of destructive wild fires and the wanton felling of woodland to make way for concrete.  Given the subject matter, the libretto is really quite poetic. Continue reading

The Greek Passion

Bohislav Martinů’s The Greek Passion is a 1961 opera based on the novel Christ Recrucified by Nicos Kazantzakis.  The English language libretto is by the composer.  It was staged in the Felsenreitschule in Salzburg in 2023 in a production directed y Simon Stone and recorded for video.

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L’Opéra de Quat’sous

l'operadequat'sousI’m guessing that most people are at least somewhat familiar with Berthold Brecht and Kurt Weill’s Die Dreigroschenoper which exists in several English translations including, sadly, the most commonly encountered one; the heavily bowdlerised version used on Broadway, which is source of the awful version of “Mac the Knife” inflicted on an unsuspecting world by sundry crooners.  There’s now a very interesting French version which has been recorded for CD

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Forest of the imagination

Malmö might not seem the most obvious place to record Debussy’s Pelléas et Mélisande but in 2016 the opera there assembled a mostly French cast and two young French rising stars; Maxime Pascal as conductor and Benjamin Lazar as director.  The result is interesting, rather good and very French.

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