The recent recording of New Zealand Opera’s production of Handel’s Semele is unusual in several ways.  First, the basis of the film is a performance in the Holy Trinity Cathedral in Auckland which leads to rather disturbing (depending on your taste I suppose) juxtapositions such as Jupiter and Semele on a bed in front of the High Altar making out like rabid weasels.  The setting also makes it very hard to film because the audience is sitting in the pews and the action happens in various places in and around the audience which makes it nigh impossible for the film director to show us what the live audience saw.

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