From Sappho’s Lyre is a double CD of music by Constantine Caravassilis. There are five cycles for voice and various combinations of instruments, all, as the album title suggests, related to Sappho of Lesbos. The first is a setting of her Hymn to Aphrodite; the longest, extant work. It’s intended to be performed as a “spectacle” with dance, costumes etc. It’s scored for soprano (Lana Guberman-Chriss), mezzo soprano (Carla Jablonski), countertenor (Daniel Moody), narrator, chorus Jeffrey Duban), eight piece chamber ensemble (Tenth Muse Ensemble) and recorded sounds and it’s conducted by the composer. It’s sung and narrated in a mixture of Ancient Greek and English and it’s richly orchestrated. It’s complex but mostly tuneful music with quite dense textures and lots of percussive effects. It’s really a very distinct musical voice as becomes clearer as one progresses through the pieces on the records. Continue reading
Tag Archives: moody
Israel in Egypt
Handel’s Israel in Egypt is one of the less well known of his English language oratorios. It’s also got a bit of an ofdd performance history with the first of the three acts often omitted. The new recording from period instrument ensemble Apollo’s Fire includes all three acts but omits some numbers and shortens others in a selection made by music director Jeannette Sorrell. This appears not to be uncommon. A quick scan of available recordings revealed performance durations of anywhere from 75 minutes to 150 minutes. This one comes in right on the bottom end of that range.
Starkly beautiful Carmen
Matthias Hartmann’s staging of Carmen for the Opernhaus Zürich recorded in 2008 is starkly simple but very beautiful and provides a perfect vehicle for the considerable talents of Vesselina Kasarova and Jonas Kaufmann. The set consists of a plain backdrop and a raised elliptical disk, reminiscent of a bull ring. A few, very few, props are added as needed. A dog lies asleep at the front of the set (replaced by a cattle skull in the final act).
