Red Like Fruit explores the stories we don’t tell and why we don’t tell them.

“…it’s weirder and less funny and less charming than the plays I like to write, and also I’ve taken out a lot of the conventions, conventions that I like, the ones that make us want to watch plays.”  So writes Hannah Moscovitch about her 2024 play Red Like Fruit which opened at Soulpepper on Thursday night as part of Luminato in a production directed by Christian Barry.

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Sex, death and despair; a Ukrainian tragedy

To Crow’s Theatre on Sunday to see Natal’ya Vorozhbit’s Bad Roads; translated by Sasha Dugdale.  It’s play set during the 2014 Russian invasion of Ukraine.  It’s extremely skillfully and well constructed in six vignettes.  Collectively they explore aspects of the conflict; especially sexual violence and the dehumanising effects that war has on just about everybody caught up in it.

CrowsBadRoads-photobyDahliaKatz-3178

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