Tag Archives: metropolitan opera

Lise Davidsen at the Met

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Soprano Lise Davidsen recently gave a recital at the Metropolitan Opera with pianist James Baillieu.  The live recording of that gig is now being released by Decca in various formats.  My gut reaction was to think that a piano recital at the Met is not such a great idea but the recording turns out to be terrific.

It starts out with a couple of opera arias,  There’s a powerful but very beautiful account of “Vissi d’arte” and a very stylish account of “Morrò, ma prima in grazia” from Verdi’s Un ballo in maschera.  In this one she shows some interesting colours as well as terrific, clean, high notes. Continue reading →

MetHD 2024/25

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groundedThe Met HD in cinemas line up has been announced for 2024/25 so here’s my take on it.  The first thing to notice is that there are only eight shows.  There have been ten per season since 2012/13 and twelve before that.  This is likely a reflection of the problems with audience numbers that all North American opera companies have been having.  In the same time period the COC has cut back from 65-70 main stage performances per year to 42 and the Met’s “in house” audience problem has been well publicised.  So what does that leave us with?

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Met live in HD 2022/23

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hdliveHere’s my quick preview of the recently announced 2022/23 Live in HD series from the Met.

Cherubini – Medea – October 22nd 2022 – A strong start.  It’s a new David McVicar production with Sondra Radvanovsky in the title role and a generally strong cast.  The combination of McVicar and Radvanovsky in Rusalka was one of the best things I’ve seen in years. Continue reading →

Met in HD 2021/22

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methdThere’s a Met in HD season again with ten shows starting in October.  All shows start at 12.55pm New York time.  Three out of ten performances are 21st century operas which is as surprising as it is welcome.  There are some interesting looking new productions and one or two that fit into a Met formula that doesn’t work for me usually.  And there are two remarkably venerable productions that surely are past their sell by date.  Here are my thoughts on each:

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The end of all human dignity

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Thomas Adès’ latest opera, The Exterminating Angel, is probably his most ambitious and best to date.  It received its US premiere at the Met in 2017 and was broadcast as part of the Met in HD series, subsequently being released on DVD and Blu-ray.  It’s based on the surrealist 1962 Buñuel film.  It’s a very strange plot.  A group of more or less upper class guests attend a dinner after an opera performance.  All the servants except the butler have (inexplicably) left the house.  The guests seem unable to leave the room they are in nor can anyone from outside enter it.  This goes on for days(??) during which the guests accuse each other of various perversions including incest and paedophilia and turn violent while still expressing delicate aristocratic sensibilities like an inability to stir one’s coffee with a teaspoon.  There’s a suicide pact, a bear and several sheep involved before the “spell” to escape the room is discovered.  What happens afterwards is unclear.  (The opera omits the closing scenes of the film).  It’s very weird and quite unsettling; Huis Clos meets Lord of the Flies?

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Season announcements

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Perhaps not unexpectedly the Metropolitan Opera has announced the cancellation of the balance of their 2020/21 season.  They took the opportunity to announce the 2021/22 season at the same time.  It’s quite interesting.  There’s the first opera by an African-American composer; Terence Blanchard’s Fire Shut Up in My Bones.  Looks like an all African American cast for that and the co-director and choreography is also African-American.  There’s also Brett Dean’s Hamlet in the Glyndebourne production and with most of the Glyndebourne cast but not Barbara Hannigan.  Brenda Rae sings Ophelia.  I’m curious to see how the “surround sound” elements of Dean’s music work in such a big house.  There’s also Matthew Aucoin’s Eurydice that premiered in Los ngeles in February and was thus probably the last new major opera before the storm hit.  So three new(ish) operas in one season.  I don’t think I’ve seen that from the Met before.

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Good news, bad news

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kmanonWell, after a fashion… The good news is that Korean National Opera in Seoul is opening a run of Massenet’s Manon on June 25th.  It’s with full orchestra, chorus etc but with only a restricted number of seats for sale.  You can find out a lot more in the latest episode of Screaming Divas on Youtube.  I’m guessing that this will likely be the only live opera on offer anywhere in the world this summer.

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Cancellation update

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closedYesterday I received seven assorted emails about cancellations in Toronto plus news from the Metropolitan Opera.  Essentially all the major orchestras and music theatre organisations in Toronto are shuttered until at least the end of the month.  Events are also being called off elsewhere so check your location situation.  Here’s a quick run down:

 

  • The Four Seasons Centre is closed until the end of the first week of April.  So, the ballet is off, as is the free concert series.  The COC is still planning to run its spring season but we’ll see.
  • Tafelmusik and the TSO have cancelled performances until the end of the month.
  • After tomorrow the UoT and the Conservatory are cancelling public events until the end of the month.
  • Tapestry Songbook on March 21st is sort of cancelled.  There will be no live audience but the show will be live streamed at 8pm and the performers are being paid.  Go Tapestry!
  • Amici Chamber Ensemble’s show on the 29th is off.
  • The Metropolitan Opera is closed so no Live in HD but they are doing free nightly web casts of the HD back catalogue.  Details here.

More news when I have any…. Stay safe!

 

Straightforward Otello from the Met

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In 2015 the Metropolitan Opera premiered a new production of Verdi’s Otello directed by Bartlett Sher.  It was broadcast in the Met in HD series and subsequently released on Blu-ray and DVD.  It’s a bit hard to judge the production on video because of the video direction.  I don’t think there are any big ideas but it’s decorative enough with arrangements and rearrangements of plexiglass wall/rooms and some effective video projections for things like the storm scene.  Only Act 4 breaks the mould with a sparse stage with just a bed and a few chairs.  I strongly suspect though from the occasional wide angle shot that there was a lot more going on visually than one sees on the video.  Costumes are 19th centuryish and quite decorative.

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