Freudian Elektra

Patrice Chéreau’s last major opera production was of Strauss’ Elektra for the 2013 Aix-en-Provence Festival where it was recorded.  It later appeared with a different cast at the Met and was broadcast in HD but that performance has not yet been released on disk.  It’s a very good example of Chéreau’s work.  The towering, blocky sets recall his From the House of the Dead and are equally dark and grey.  The interest is all in the characters.

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From the House of the Dead

Janáček’s last opera, From the House of the Dead, is a curious piece.  It sets certain episodes from Dostoevsky’s account of his life in prison into a collage of stories that doesn’t have a straightforward narrative arc at all.  It’s quite brutal, as one might expect, and very male dominated.  Few characters stand out as individuals and so the piece becomes very much an exercise in ensemble musical theatre.  The music is unusual too.  In Pierre Boulez’ words it is “primitive”.  Certain phrases are repeated over and over with minimal development to create a sort of “expressionist minimalism”.  It’s extremely interesting to listen to and a great sonic match for the brutal and repetitive nature of prison camp life.

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