Here we go again

Yesterday saw the first of this season’s free concerts in the Richard Bradshaw Amphitheatre.  As has become the norm it featured the singers of the COC’s Ensemble Studio.  This year it was dedicated to the memory of the late Lotfi Mansouri and included a couple of short tributes to him.

Six of the Ensemble’s singers are new this year, as is the sole pianist, so these were mostly singers I haven’t heard a lot of.  I’ve also observed how much members of the Ensemble Studio develop in the programme and last year we had a solid group of third years with a few new entrants.  The balance has shifted to the other extreme and so no surprise that yesterday we heard more potential than polish.

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Front (l – r): Clarence Frazer, Sasha Djihanian, Danielle MacMillan, Michael Shannon
Middle (l – r): Gordon Bintner, Aviva Fortunata, Claire de Sévigné, Cameron McPhail
Back (l – r): Andrew Haji, Charlotte Burrage, Owen McCausland
Photographer: Karen Reeves

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Sérénade Française

John Terauds may have proclaimed the death of the art song recital in Toronto, and he may even have a point about recitals with high ticket prices, but the line up outside the Four Seasons Centre yesterday for a recital of French chansons rather suggests that the taste for the form has not gone away.  The admirably chosen programme of songs, mainly by Poulenc with some Ravel and Milhaud thrown in, was performed by members of the COC’s Ensemble Studio.

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Vive l’amour

Every year the COC Ensemble Studio engages in an exchange programme with the Atelier Lyrique of L’Opéra de Montréal.  Each year that results in a joint lunchtime recital in the Richard Bradshaw Amphitheatre.  It seems to be a popular gig.  The doors were closed today at 11.40 for the noon performance (it’s first come, first served).  Thankfully, writing this stuff gets me a reserved seat or I would have missed out.  The show is always worth seeing because it’s not at all unusual for the best singers from the Montreal programme to move onto the Ensemble Studio.

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Upcoming events

sellarsThere a couple or three things coming up in Toronto that might be of interest to readers.

On Sunday 27th January at 2pm Russell Braun and Rihab Chaieb are giving a recital of German songs in the Glenn Gould Studio.  Tickets are $60 but only $25 for under 25s.

The following evening Peter Sellars is giving a talk on his production of Tristan und Isolde at the Toronto Reference Library.  This one is free but ticketed.  Tickets are available from the TPL website.

And in free RBA noon concert news, on 24th January Sasha Djihanian and Cameron McPhail with pianists Timothy Cheung and Jenna Douglas are offering up Debussy’s Ariettes oubliées and Schumann’s Dichterliebe.

First of the year

Cameron McPhail - Photo by Chris Hutchson- Jan 8 2013Yesterday saw the first free lunchtime concert of 2013 at the Four Seasons Centre.  Five singers from the COC’s Ensemble Studio gave us a programme of works by Mozart and Salieri, mostly comparative rarities.  I enjoy hearing the singers of the Ensemble Studio because it’s not just a chance to hear some good singing but also to see how voices are developing and make some guesses about whether one is seeing a future star.

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The Brothers Grimm hits 500

Dean Burry’s opera for children The Brothers Grimm had its 500th performance last night at the shiny new Ada Slaight Hall at the Daniels Spectrum in the revitalised Regent’s Park neighbourhood.  It’s a work that premiered in 2001 and has been a staple of the COC Ensemble Studio School Tour ever since.  It’s played an important role in developing young Canadian singers as performers as evidenced by the fact that the original cast brothers were Joseph Kaiser and David Pomeroy.  500 performances!

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The review – COC Studio Ensemble in concert

(front row, l-r): Ambur Braid and Cameron McPhail; (second row, l-r): Jenna Douglas, Claire de Sévigné and Mireille Asselin; (third row, l-r): Neil Craighead, Owen McCausland and Sasha Djihanian; (fourth row, l-r): Rihab Chaieb and Timothy Cheung. Photo: Chris Hutcheson

So, as promised here are my thoughts on yesterday’s Ensemble Studio recital at the Four Seasons Centre.  It’s always interesting to see the Ensemble Studio together; to see how returning members have developed since last heard and to hear the newcomers.  This is what we got.
Soprano Claire de Sévigné gave us “Chacun le sait” from La fille du régiment.  It’s a good piece for a young singer and shee sang it with spirit and enthusiasm and acted with gusto.  Perfectly idiomatic French too of course.  She has a lovely voice and is clearly one to watch.

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